

Visited some ruins from the 16th century BCE volcanic eruption.
That was the town where the houses loomed precariously right up to the road, a high speed ribbon with loud tractor trailers blazing by every morning, coked up truck drivers or maybe the reds of yesteryear, maybe just meth, the only shortcut through those spread out and slow moving towns. Some of the driveways were so short that they were only big enough to fit a compact car tucked right between the front door and the asphalt, the back tires barely out of the road with no sidewalk scrolls to speak of. When I was younger we would walk one part of the road after skinny dipping in the woodland lake behind the baseball field, dark hair dripping down sun streaked bodies, and it’s a miracle we didn’t get hit. Later we found out that the water was polluted from leaky sewage, literal shit.
We went to the ayahuasca church like everyone did in that decade. It appealed to repressed recovering Roman Catholics like myself. The Mary statue at the bottom of the hill held a miracle that was softer, and both of us knew it but neither spoke of it.
I lived in a high house as wide as a Soviet block, the building smelled of many different colored molds, but was painted an assortment of pastels like an Easter egg. This was common practice in that town, a mix of elderly hippies and also some college kids who had majored in liberal arts like I had, they came here to die. The street was littered with decent ideas which had never manifested for whatever reason, too soon or too late, too small or too great.
There was the community apothecary where I had helped clear space for a garden and performance space out back the summer before, a rare moment of volunteering my time, unless you count listening to people talk about their problems. I lugged sharp branches and weed tornadoes out on my bony shoulders, feeling prouder than the brief exercise really called for. But that’s the way it was in that town. Doing anything, you felt pretty useful, as anyone could easily get high and watch television for hours, a habit I never got into, the latter I mean, not the former. Most of my life I was high, I just changed how I did it, and for many years it was only on mania and some sort of gripping spirit fever that tended to affect the females on my father’s side.
April is aggressive, showing off too soon, pretending to be willing when she’s really still cold to her core. She smacks you with wind and sheets of endless rain. Sends patches of sunlight out to fool you into showing her your thin, pale skin, almost blue on the bottom, the rivers that keep you wanting to move. You shiver with your face tilted up to the fiery ball so far off and (as though) alive. But you’re the one who’s really alive, the one with the pinpricks and sharps in your belly, the constant sharps in your heart. Anything dried out and dead can be set on fire to curl up and out into a quick burst of light.
I’d already spent a year or three as a comet, my darting mind would travel down any charged pathway it found, and every path was charged in those days, I was in love with anything and everything, even my fear, especially that. When I was a comet I thought I could solve a thing by thinking about it, I would heat up the circuits too hot and every few days or weeks a regular meltdown would happen, and on those days nothing I said would make sense, so I’d try very hard to stay as quiet as possible. The ways I flew were sometimes horizontal, when connections were still helpful and logic could still be called upon when needed, but mostly vertical and straight up through the roof. My heart would get to pounding, time began to tighten up, inflamed and red as something running from death.
Continue reading “a sample of this story”Hortus Arboretum and Botanical Gardens will be offering their one-week writers residency again this February, and I am honored to be a juror this time around.

Please see lynnsisler.com for an example of the fine artists I’ve had the pleasure to be published alongside lately. I love her shapeshifter as protector characters.
Continue reading “wild walks and coyote song”
….as Gary Snyder once said.
New work appearing in Wild Roof Journal next month.
| More than anything, I need this boy so close to my ears, his questions electric as honeybees in an acreage of goldenrod and aster. And time where we are, slow sugar in the veins of white pine, rubbery mushrooms cloistered at their feet. His tawny listening at the water’s edge, shy antlers in pooling green light, while we consider fox prints etched in clay. I need little black boys to be able to be little black boys, whole salt water galaxies in cotton and loudness—not fixed in stunned suspension, episodes on hot asphalt, waiting in the dazzling absence of apology. I need this kid to stay mighty and coltish, thundering alongside other black kids, their wrestle and whoop, the brightness of it—I need for the world to bear it. And until it will, may the trees kneel closer, while we sit in mineral hush, together. May the boy whose dark eyes are an echo of my father’s dark eyes, and his father’s dark eyes, reach with cupped hands into the braided current. The boy, restless and lanky, the boy for whom each moment endlessly opens, for the attention he invests in the beetle’s lacquered armor, each furrowed seed or heartbeat, the boy who once told me the world gives you second chances, the boy tugging my arm, saying look, saying now. |
I found this article originally printed in the now defunct Numero Cinq to be a satisfying read, its relevance to the issues of the day a reminder of a long stretch of history holding little originality with regards to conflict resolution.
Continue reading “with the world waltzing in its bowl of cloud”If your own private house up in the woods and down the road from Hortus Arboretum and Botanical Gardens sounds like a good place to spend your Spring, today is the last day to apply to their Visual Artist Residency.
The time I spent there as the writer in residence was invaluable, and I know will continue to inform my work for years to come.

Work forthcoming in the next issue of Carte Blanche.
Montreal is a great place for writers to be in 2020. From their Blue Metropolis Montreal International Literary Festival in May to the Festival International de la Litterature in September, this beautiful spot will be full of authors from all over the world.